![]() The result is images that usually look pretty close to the camera-generated JPGs that were generated alongside the RAWs. I usually throw in a few minor adjustments to the levels and saturation, since a straight RAW export usually looks muted and dim. Run a batch process to export all the RAWs to 16-bit PNGs (or TIFFs, or whatever you want). This leaves me with just green and red flagged images. Then only show "yellow" and make final decisions (red/green). I then switch to showing just unflagged pictures (in case I missed any) I have my display filter set to only show yellow, green, and unflagged, so the rejects just disappear from the tray as I flag them. Go through the RAWs and flag each of them red, yellow, or green (ctrl+1,2,3). Here's a general workflow that works for me: So your input files (whether they're RAWs or JPEGs) will always be kept pristine, and your edits always applied to new files.ĮDIT: This page helped me figure out the editor a little better: The screenshots are way out of date, but the basic information is sound. One thing I do like about DigiKam is that it has a hard rule to NEVER overwrite/replace any original file. DigiKam seems to have all the same photo editing features as Darktable, but the interface is a bit more awkward. ![]() ![]() I looked at Darktable too, and while I like its RAW editor, it wasn't immediately obvious to me how you could use it to organize/tag/process lots of photos in albums.
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